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Hello, I'm Bob Ross.

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And I'd like to welcome you to
the 11th Joy Of Painting series.

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First of all, let me thank you
for inviting me back

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into your homes again.

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If this is your first time with us,
let me extend a personal invitation

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for you to drag out your paints
and paint along with us each week,

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or just pull up the old easy chair
and spend a relaxing half hour

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as we place some of nature's
masterpieces on canvas.

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We'll use a few big brushes
and a dozen colours or so,

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and I'll show you how to create some
of the most fantastic paintings

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you've ever seen
in just a few minutes.

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So, I'll tell you what,
let's go on up to the canvas here

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and get started.

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Now, the canvas has been covered
with liquid white. And liquid white

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just makes the canvas wet
and makes it slick.

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It allows us to actually
blend colour on the canvas.

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So, let's have them run all
the colours across the screen

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that you need to do the painting
with me, and they'll come

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across in the same order
as I have them on my palette.

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While they're doing that,
let's go ahead and get started.

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Today, I'll start with an 02 inch
brush. Go right into a little bit

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of the phthalo blue and just
mix a little bit on the brush.

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Just tap it right into the colour
and I'll re-tread up here and grab

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a little black. So we're going to
have phthalo blue

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and midnight black.

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Black and blue, black and blue.

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All right.

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Let's go right up to the canvas now.

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And, today, let's just dance
in a happy little sky.

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We'll just do a little fun painting
and just, sort of, let the brush

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just bounce around and play
and let it have fun.

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Just relax and enjoy.

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See there?

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Isn't that easy? That easy.

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Just make little Xs,
little crisscross strokes.

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There! Add a little more colour
to my brush.

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We'll go right on over here.

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And notice we're not covering
the sky entirely.

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We're going to leave a few little
areas open, little, happy spaces

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in the sky, then we'll come back
and we'll put some happy

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little clouds in there.

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OK.

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Just like so.

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And because we have the liquid white
on the canvas, as we blend downward,

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the liquid white mixes
with the colour and automatically

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your sky gets lighter
toward the horizon.

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And this will help create
the illusion of depth and distance

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in your painting.

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There!

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Just like so.

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OK. Now, while we have the old
brush dirty here,

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I'm going to go right back into some
of the same colour,

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blue and black.

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Black and blue.

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Boy, that's the way I look
when I argue with my wife!

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Black and blue.

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Now, then, maybe in this painting,
maybe we'll have a happy

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little stream that sort of
wanders down here.

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So, decide, basically, where
your little stream's going to be.

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And we'll just go right in here

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and, that easy,
just back and forth.

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Drop in a little bit of colour.
And we don't care where it goes.

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You could paint the whole thing
here if you want to.

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It doesn't make any difference.

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Just back and forth.

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This is also a good way
to clean off the excess paint

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that's on your brush.

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There!

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OK.

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Tell you what, let me wash my brush.

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And we wash our brush

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with odourless paint thinner.

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And I really recommend
you use odourless thinner.

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There's a screen in the bottom of my
can that I scrub the brush against.

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Shake off the excess.

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And then do that.

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HE CHUCKLES

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And then just beat
the devil out of it!

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And if you've watched me before,
you know this is the fun part

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of this whole painting technique.

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Now, then, with a good,
clean, dry brush,

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I'm going to go right back
up in here,

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and just blend the sky out.

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Be sure your brush is dry, though.

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We want to keep this paint as firm
and thick as possible on the canvas.

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One of our golden rules is that

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a thin paint will stick
to a thick paint.

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Thin to thick.

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So, we start out with paint
that's very firm and very thick.

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And, then, on top of that,
we can add layers of thin paint.

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And that's the only way
that you can paint

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this wet-on-wet technique.

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There we go. And, down here, we just
blend that out a little bit.

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All right.

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Now, then, let's have some fun.

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I'm going to take a one-inch brush.

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And I'm going to go right
into titanium white

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and just pull that brush

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through the titanium white.

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I'm going to reach down here
and get the least little touch

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of bright red. Be very careful
with this bright red.

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It'll eat up your whole world
in one heartbeat.

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Load a lot of paint into the brush.

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OK. Just go right up here.

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Now, you have to make
some big decisions.

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Where's the little clouds
live in your world?

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Maybe.

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Maybe there's a little cloud.

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He lives right here and he floats
around the sky

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and just has fun all day.

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Clouds are very free.

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And when you paint clouds,
remember that they're free.

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They just float around.
Paint them that way.

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In your mind's eye,
think...think like a cloud.

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Just think like a cloud

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and just, sort of,
let it float around.

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Just float around.

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Yep, you're right.

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There's one, right there.

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Right there.

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And, into your painting, you put as
many or as few clouds as you want.

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I just want to show you
how to make a big, old cloud

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and how many you make is up to you.

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Maybe over here on the other side,
a little bit.

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Maybe there's one,

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don't want this side to be left out.

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A happy little cloud
that lives right there.

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There he is! There he is!

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Just drop them in.

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Don't overwork them.
Drop them in.

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Put another one right there.

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Just make a big decision.

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Decide where you want him
and put your cloud right in there.

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All right.

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That quick, we have a little cloud.

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Now, with a good, clean, dry brush,

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we want to blend the base of these
clouds out

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without touching the top.

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So tiny little circles...

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..just barely touching.

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And using just the corner
of the brush.

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Tiniest little circles.

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Tiny little circles.

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There you go. See?

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Don't overwork, be lazy.

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This is one of the times
that you really need to just

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take your time, do a little bit,
and get away from it.

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The more you work, the more your
cloud's going to go away

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and leave you.

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There. Just mix it up a little bit.

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Stir it.

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OK, then I'll rap
the brush one time there.

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And, when I beat the brush,
that just removes excess paint

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without going through the whole
cleaning procedure.

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Now we're going to come back up here
and we're going to fluff this cloud.

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Grab it.

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And this is very light,
very delicate.

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Three hairs and some air.

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Barely touch it.

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Lift it up, lift it up, lift it up.

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And always do this
in circular strokes.

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If you go straight up,

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it's going to look like your sky
has rain going up in it.

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That's sort of distracting.

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So always do it sort of
in circular strokes,

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just like so.

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And, that simple, you have some
fantastic little clouds.

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Isn't that fun?

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There!

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OK.

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I think, today, let's build us
a little mountain

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in this painting.

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I lived in Alaska for many, many
years and I love mountains.

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So, I'll show you how to make one.

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Let's take a little bit of the
Midnight Black.

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We'll take some Van Dyke Brown.

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A little touch of Alizarin Crimson -
just a little crimson -

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and some Prussian Blue.

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Don't put too much crimson unless
you want purple mountains.

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And that's... There's nothing wrong
with purple mountains.

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In fact, I'll add
a little more crimson

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and then get them a little
on the purply side.

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Seems like they wrote a beautiful
song about purple mountains.

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Pull it out very flat,
take your knife and cut across

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so you get that little roll of paint
right out on the edge of the knife.

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OK? Let's go up here.

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Now then, you have to make
a big decision -

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where does your mountain live
in your world?

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And you just take your knife...

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..and just begin deciding
where your mountain lives...

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..and drop him in.

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Just drop him in.

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There.

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See how easy that is?

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The only thing we're worried about
is this nice outside edge.

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We could care less
what's happening inside here.

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There we go.

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Just looking for the outside edge.

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Push that paint in
very firm at this point.

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And scrape off all the excess.

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Just really scrape it off.

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Now, then, we'll take
a two-inch brush,

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grab that paint and pull it.

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Pull it. That does two things -

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it removes the excess paint...

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..and it allows it to get lighter
towards the base.

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And that's what will make your
mountain so pretty.

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There it comes.

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And then just blend it right
into nothing. That easy.

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Now, then, let's have some more fun.

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We'll put some snow
on that mountain.

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Take some of the Titanium White
and, once again,

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pull it out as flat
as you can get it.

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Just get strong with it,
cut across,

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and you have that roll of paint.

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And it needs to be right out
on the edge of the knife.

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OK, let's go up here.

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Now, then, start...

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..put the point of the knife
right along there

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and just pull it downward.

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Just pull downward.

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There we go.
A little bit right there.

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Just sort of determine where you
think the light would hit

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on your mountain.

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There.

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And, if the light's coming
from the right,

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then you want the light
to be more over here.

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But you have to make
these big decisions.

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This is your world
and you have to design it

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the way you want it.

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OK. Now we can take the little
edge of the knife

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and go right in there, add a little
bit in there.

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Now, then, let's put some shadows.

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For shadows - oh, let's use
a little bit of blue and white.

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Like so.

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Now, sometimes, I want to change to
the small knife.

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You'll find the small knife
is excellent

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for getting in little tight areas.

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So, same way.

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A little roll of paint.
Let's go right up here.

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No pressure.

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Absolutely no pressure.

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You want this paint to break.

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To have all those little...

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All those little holes in it.

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No pressure at all.

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Just barely touch.

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Barely touch.

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Give it a little pull.

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Just like so. And mountains
are a lot of fun,

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and they're quite easy to make.

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There's some basic rules.

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You have to pay very close
attention to angles.

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Now then...

255
00:11:36,072 --> 00:11:38,056
..we'll just keep using
that little knife.

256
00:11:38,056 --> 00:11:41,000
We'll go right in here.
Watch here.

257
00:11:41,000 --> 00:11:44,036
Maybe there's a little valley
that lives right in here.

258
00:11:44,036 --> 00:11:45,068
Make up little stories.

259
00:11:45,068 --> 00:11:49,048
Think about, in your world,
what your mountain looks like.

260
00:11:49,048 --> 00:11:52,028
Maybe there's a little valley
that comes right around...

261
00:11:53,036 --> 00:11:54,072
..like so.

262
00:11:56,016 --> 00:11:58,000
There he comes.

263
00:11:58,000 --> 00:12:01,064
And you sort of play the highlight
and the shadow back and forth,

264
00:12:01,064 --> 00:12:03,004
and bring it together here.

265
00:12:04,008 --> 00:12:05,048
See, there?

266
00:12:08,056 --> 00:12:13,012
And, wherever you want it to go,
that's where it should go.

267
00:12:13,012 --> 00:12:15,032
Maybe this comes right on out.

268
00:12:16,072 --> 00:12:18,048
Like that.

269
00:12:18,048 --> 00:12:20,076
There.

270
00:12:20,076 --> 00:12:22,012
There we are.

271
00:12:23,080 --> 00:12:25,004
Bring it right on back.

272
00:12:26,052 --> 00:12:28,088
And you could just keep on going
until you cover up

273
00:12:28,088 --> 00:12:30,060
your entire canvas with mountains,

274
00:12:30,060 --> 00:12:33,000
which is an excellent way to
practise.

275
00:12:33,000 --> 00:12:35,000
So, if you ever do that,
don't worry about it.

276
00:12:35,000 --> 00:12:38,000
You have lost nothing
and you've learned.

277
00:12:38,000 --> 00:12:40,016
And if there's any secret
to this technique,

278
00:12:40,016 --> 00:12:42,000
or any other technique,

279
00:12:42,000 --> 00:12:44,036
it's practise.

280
00:12:44,036 --> 00:12:46,028
Just spend some time practising.

281
00:12:48,000 --> 00:12:53,028
It doesn't take much, but you have
to devote that time.

282
00:12:53,028 --> 00:12:55,076
OK, now, then, I want to create
the illusion of mist

283
00:12:55,076 --> 00:12:57,024
at the base of this mountain,

284
00:12:57,024 --> 00:13:00,008
so, with a large brush -
and this is a clean brush -

285
00:13:00,008 --> 00:13:04,024
all I'm going to do is tap -
following the angles, here.

286
00:13:04,024 --> 00:13:05,064
Just tap.

287
00:13:05,064 --> 00:13:08,032
And, over here,
tap a little bit this way.

288
00:13:08,032 --> 00:13:10,000
And give it a little lift.

289
00:13:10,000 --> 00:13:11,028
Like so.

290
00:13:13,080 --> 00:13:15,008
There we go.

291
00:13:15,008 --> 00:13:18,016
And, in here, we can sort of just
pull this together.

292
00:13:18,016 --> 00:13:19,064
See how easy that is?

293
00:13:19,064 --> 00:13:20,092
You can do it.

294
00:13:20,092 --> 00:13:22,032
You really can do it.

295
00:13:22,032 --> 00:13:23,080
There's no big secrets here.

296
00:13:25,072 --> 00:13:27,016
I'm going to show you how to do it.

297
00:13:27,016 --> 00:13:30,088
All you need is just to grab your
canvas and some paint

298
00:13:30,088 --> 00:13:32,068
and jump up here and do it.

299
00:13:32,068 --> 00:13:33,088
And it's fun.

300
00:13:34,092 --> 00:13:39,012
OK. We had some mountain colour
left over here.

301
00:13:39,012 --> 00:13:42,084
Let's add a little touch of
Sap Green

302
00:13:42,084 --> 00:13:44,052
right into the same mountain colour.

303
00:13:44,052 --> 00:13:47,052
So, we have black, blue...

304
00:13:47,052 --> 00:13:50,084
..brown, Alizarin Crimson.

305
00:13:50,084 --> 00:13:53,076
We might as well mix up a pretty
good pile of paint here.

306
00:13:53,076 --> 00:13:55,020
OK.

307
00:13:56,032 --> 00:13:59,004
Now we can come in here
and have some fun.

308
00:14:00,036 --> 00:14:02,028
I'm going to get the old fan brush.

309
00:14:04,060 --> 00:14:07,020
And we load the fan brush.

310
00:14:07,020 --> 00:14:09,088
I'm going to make some little
evergreens way back in the distance.

311
00:14:09,088 --> 00:14:12,016
You could make these with
a one-inch brush, a fan brush,

312
00:14:12,016 --> 00:14:13,052
a two-inch brush.

313
00:14:14,084 --> 00:14:16,052
Anything. Anything that works.

314
00:14:16,052 --> 00:14:18,008
You could even make them
with a knife.

315
00:14:18,008 --> 00:14:19,072
Load the brush full of paint.

316
00:14:19,072 --> 00:14:21,092
Look at the amount of paint
that's in that brush.

317
00:14:21,092 --> 00:14:23,068
It's really full.

318
00:14:23,068 --> 00:14:25,004
OK, let's go right up here.

319
00:14:25,004 --> 00:14:28,032
Now, then, maybe there's some
evergreen trees

320
00:14:28,032 --> 00:14:29,068
that live back here.

321
00:14:29,068 --> 00:14:32,016
Touch. Take just the corner
of the brush.

322
00:14:34,064 --> 00:14:36,040
See, there?

323
00:14:36,040 --> 00:14:39,040
There they are, these little trees
live right in your fan brush.

324
00:14:39,040 --> 00:14:41,076
All you have to do is just sort of
push them out.

325
00:14:43,016 --> 00:14:44,056
There.

326
00:14:44,056 --> 00:14:45,076
That easy.

327
00:14:46,084 --> 00:14:48,024
That easy.

328
00:14:51,060 --> 00:14:54,004
And as many or as few as you want.

329
00:14:55,028 --> 00:14:57,068
I'll show you a little trick.
I'll show you a little trick.

330
00:14:57,068 --> 00:14:59,064
It's fun.

331
00:14:59,064 --> 00:15:01,060
If you have a bunch of evergreens,

332
00:15:01,060 --> 00:15:04,008
you don't want to sit and make
each one independently.

333
00:15:04,008 --> 00:15:07,004
You can just gob
on a bunch of colour.

334
00:15:08,016 --> 00:15:11,004
Just drop in a whole bunch of
colour.

335
00:15:12,044 --> 00:15:13,076
Like that.

336
00:15:15,000 --> 00:15:17,040
I'll tell you what, let's have
some on the other side, too.

337
00:15:17,040 --> 00:15:18,076
We don't want it left out.

338
00:15:18,076 --> 00:15:22,092
All we're doing here is just tapping
in the same dark colour.

339
00:15:22,092 --> 00:15:25,076
And, then, I'll show you
what you can do with that.

340
00:15:28,036 --> 00:15:32,024
Why, I know you're saying already,
"Bob, you've messed this one up."

341
00:15:32,024 --> 00:15:33,076
You may be right.

342
00:15:34,080 --> 00:15:36,084
You may be right.

343
00:15:36,084 --> 00:15:38,048
OK.

344
00:15:38,048 --> 00:15:40,068
Since the only thing that you're
really worried about

345
00:15:40,068 --> 00:15:43,036
with these little evergreens
is the tops,

346
00:15:43,036 --> 00:15:45,096
you can put all that in
at one time.

347
00:15:45,096 --> 00:15:48,044
And then come back and all you have
to do is decide

348
00:15:48,044 --> 00:15:50,004
where the tops live.

349
00:15:53,000 --> 00:15:54,044
See, there?

350
00:15:54,044 --> 00:15:56,000
There they go.

351
00:15:56,000 --> 00:15:57,056
There's another one.

352
00:15:57,056 --> 00:16:00,028
And you can turn this into a whole
forest if you want to.

353
00:16:00,028 --> 00:16:02,060
As many or as few as you want.

354
00:16:02,060 --> 00:16:04,048
Just drop 'em in.

355
00:16:04,048 --> 00:16:06,056
Now we'll put some highlights
on these trees,

356
00:16:06,056 --> 00:16:08,072
and that's where
you'll separate 'em.

357
00:16:08,072 --> 00:16:10,052
That's where they'll become
individuals.

358
00:16:10,052 --> 00:16:12,024
Maybe there's some way back here

359
00:16:12,024 --> 00:16:14,068
and all you see
is just little indications.

360
00:16:16,024 --> 00:16:17,072
Just little tops.

361
00:16:17,072 --> 00:16:20,004
But you don't see a whole bunch
of detail,

362
00:16:20,004 --> 00:16:22,092
just little indications.

363
00:16:22,092 --> 00:16:24,016
Just here and there.

364
00:16:25,040 --> 00:16:27,056
And then we come back.

365
00:16:27,056 --> 00:16:29,024
Why, look at all those.

366
00:16:29,024 --> 00:16:33,084
As I say, you could paint an entire
forest in just a few minutes.

367
00:16:33,084 --> 00:16:35,016
In just a few minutes.

368
00:16:35,016 --> 00:16:37,024
There's one. I knew he was there.

369
00:16:38,056 --> 00:16:40,040
There he is.

370
00:16:40,040 --> 00:16:42,000
Just drop him right in there.

371
00:16:43,056 --> 00:16:47,000
And maybe we'll push
a little colour into there.

372
00:16:47,000 --> 00:16:48,068
You could even grab and pull up

373
00:16:48,068 --> 00:16:51,052
to make 'em look like they're
really, really far away.

374
00:16:51,052 --> 00:16:55,000
And it sort of gives the illusion,
these are closer

375
00:16:55,000 --> 00:16:56,064
and those are farther away.

376
00:16:56,064 --> 00:16:59,000
And, once again, that's one
of those little tricks

377
00:16:59,000 --> 00:17:01,044
that helps create the illusion of
depth and distance

378
00:17:01,044 --> 00:17:02,092
in your painting.

379
00:17:02,092 --> 00:17:05,016
And, of course, we're not interested
in that happy buck

380
00:17:05,016 --> 00:17:07,072
but, should you be, this is what
sells your paintings.

381
00:17:09,040 --> 00:17:13,044
I get so many fantastic letters
from people all over the country

382
00:17:13,044 --> 00:17:17,040
that are painting, they're having
unbelievable success,

383
00:17:17,040 --> 00:17:19,068
and they're selling their work.

384
00:17:19,068 --> 00:17:24,000
And the selling of the work
is not important.

385
00:17:24,000 --> 00:17:28,024
What's important is the fact that
someone is willing to pay you

386
00:17:28,024 --> 00:17:33,024
for something you created out of
your mind, with your hand.

387
00:17:33,024 --> 00:17:35,084
It does wonderful things
for your ego.

388
00:17:35,084 --> 00:17:37,040
Forget about the pocketbook.

389
00:17:37,040 --> 00:17:38,072
That's not important.

390
00:17:38,072 --> 00:17:40,040
It's really not important.

391
00:17:40,040 --> 00:17:41,088
It's what it does to your heart.

392
00:17:41,088 --> 00:17:43,084
It's what it does to your
confidence.

393
00:17:43,084 --> 00:17:47,012
I can remember,
oh, maybe 25 years ago

394
00:17:47,012 --> 00:17:48,092
when I sold my first painting,

395
00:17:48,092 --> 00:17:51,076
and I think I only got about
20 for it.

396
00:17:51,076 --> 00:17:54,032
I'd paid that much
for the frame that was on it.

397
00:17:55,044 --> 00:17:58,044
But I went home. It gave me
so much confidence.

398
00:17:58,044 --> 00:18:01,036
I went home and probably painted
25 more paintings

399
00:18:01,036 --> 00:18:03,032
that I couldn't give away,

400
00:18:03,032 --> 00:18:06,072
but it was the fact that somebody
wanted my painting

401
00:18:06,072 --> 00:18:08,000
enough to pay me for it.

402
00:18:08,000 --> 00:18:12,000
It really inspired me to paint,
and it'll do the same thing for you.

403
00:18:13,044 --> 00:18:14,048
OK.

404
00:18:15,048 --> 00:18:18,016
Tell you what, while I've got that
old dark colour going here...

405
00:18:18,016 --> 00:18:19,080
Same old colour.

406
00:18:19,080 --> 00:18:22,052
..I'm just going to begin adding in
some little things like this.

407
00:18:22,052 --> 00:18:25,048
All I'm doing is tapping down
with a two-inch brush, here.

408
00:18:25,048 --> 00:18:27,028
Just tap downward.

409
00:18:28,052 --> 00:18:31,000
Now we begin making some
decisions here.

410
00:18:31,000 --> 00:18:32,068
Where is our land going to be?

411
00:18:34,040 --> 00:18:36,076
And you need dark in order
to show light.

412
00:18:36,076 --> 00:18:40,052
So, all we're doing here is just
adding some dark colour.

413
00:18:40,052 --> 00:18:42,064
We're going to come back
and highlight everything,

414
00:18:42,064 --> 00:18:46,012
separate all this
and bring it all together.

415
00:18:47,060 --> 00:18:49,040
Maybe down... A bit like so.

416
00:18:49,040 --> 00:18:51,016
Whatever. Whatever.

417
00:18:51,016 --> 00:18:52,044
Wherever you want it.

418
00:18:52,044 --> 00:18:54,072
Let me get a little more
paint here -

419
00:18:54,072 --> 00:18:57,084
the blues and the blacks
and the browns and the greens -

420
00:18:57,084 --> 00:18:59,068
and just mix 'em with the brush.

421
00:19:01,080 --> 00:19:04,036
Yeah, you're right. Right there.

422
00:19:04,036 --> 00:19:06,036
There's another little thing.

423
00:19:06,036 --> 00:19:08,032
And, that easy,
you can begin creating

424
00:19:08,032 --> 00:19:09,088
the lay of the land.

425
00:19:09,088 --> 00:19:13,008
And by "lay of the land,"
I mean the way the land flows.

426
00:19:14,052 --> 00:19:16,052
Just however it flows.

427
00:19:16,052 --> 00:19:19,024
This is another one of those big
decisions you have to make.

428
00:19:20,036 --> 00:19:23,012
In your world,
how does the land...?

429
00:19:23,012 --> 00:19:24,088
Has it got a lot of bumps in it?

430
00:19:24,088 --> 00:19:27,016
Is it smooth? Hilly? Flat?

431
00:19:27,016 --> 00:19:30,012
If you're going to put water
in your paintings, as you know,

432
00:19:30,012 --> 00:19:32,000
it's better to have a recessed area.

433
00:19:32,000 --> 00:19:35,000
Because water goes to a low area.

434
00:19:35,000 --> 00:19:36,040
It won't stay up on top.

435
00:19:36,040 --> 00:19:37,076
It goes down to the lowest area.

436
00:19:37,076 --> 00:19:40,020
Water is like me, it's lazy.

437
00:19:40,020 --> 00:19:43,080
It looks for the easiest way
to flow.

438
00:19:43,080 --> 00:19:46,076
So, you need to indicate
that the land is higher

439
00:19:46,076 --> 00:19:49,020
than the water,
or it won't look right.

440
00:19:49,020 --> 00:19:51,000
There.

441
00:19:51,000 --> 00:19:53,096
Now, you could have really done
this with a paint roller.

442
00:19:53,096 --> 00:19:56,032
Would've worked just as well.

443
00:19:59,076 --> 00:20:02,056
OK. Now we can come back
and begin putting in

444
00:20:02,056 --> 00:20:05,008
some of the little detail things,
the fun things.

445
00:20:05,008 --> 00:20:07,000
I'm going to take some Dark Sienna.

446
00:20:07,000 --> 00:20:11,052
Dark Sienna, a little bit of white,
a touch of that blue.

447
00:20:11,052 --> 00:20:12,088
Not much blue.

448
00:20:14,020 --> 00:20:16,044
OK, pull it out real flat again.

449
00:20:16,044 --> 00:20:18,000
Cut across once again.

450
00:20:18,000 --> 00:20:21,036
That little, tiny roll of paint
that's so important.

451
00:20:21,036 --> 00:20:26,024
Now then, maybe, back in here, we
can see a few little tree trunks.

452
00:20:26,024 --> 00:20:27,068
Just here and there.

453
00:20:27,068 --> 00:20:30,064
Maybe you can't see one
in every tree.

454
00:20:30,064 --> 00:20:32,096
And you can just cut through
the paint

455
00:20:32,096 --> 00:20:35,056
and let some of the white
of the canvas show through.

456
00:20:35,056 --> 00:20:38,000
It'll create the indication of
hundreds of little sticks

457
00:20:38,000 --> 00:20:39,044
and twigs.

458
00:20:39,044 --> 00:20:42,036
And people will think you worked
for weeks doing all that.

459
00:20:42,036 --> 00:20:44,004
And don't you tell them any
different.

460
00:20:44,004 --> 00:20:45,028
That's our secret.

461
00:20:45,028 --> 00:20:47,012
There we go.

462
00:20:47,012 --> 00:20:49,004
Don't let the cat out of the bag.

463
00:20:50,052 --> 00:20:53,044
OK. A little trunk in this tree,
and then just touch.

464
00:20:53,044 --> 00:20:55,068
The canvas will pull off
what it wants

465
00:20:55,068 --> 00:20:57,000
and give you back what's left.

466
00:20:57,000 --> 00:20:58,020
It's that easy.

467
00:21:01,008 --> 00:21:03,036
However many. It's up to you.

468
00:21:03,036 --> 00:21:05,016
It's really up to you.

469
00:21:05,016 --> 00:21:07,012
Painting offers you freedom.

470
00:21:07,012 --> 00:21:08,064
Creative freedom.

471
00:21:09,092 --> 00:21:11,092
I spent half my life
in the military,

472
00:21:11,092 --> 00:21:15,064
and this is where
I made Bob's world.

473
00:21:15,064 --> 00:21:19,080
This is where I came
when I wasn't playing soldier.

474
00:21:19,080 --> 00:21:22,032
This is where I came
and found peace.

475
00:21:22,032 --> 00:21:24,032
We'll wash the brush here.

476
00:21:25,092 --> 00:21:27,064
There. Shake it off.

477
00:21:29,092 --> 00:21:31,064
HE LAUGHS
There you go.

478
00:21:31,064 --> 00:21:32,088
All right.

479
00:21:32,088 --> 00:21:34,064
I get carried away with that brush.

480
00:21:34,064 --> 00:21:37,028
Before I get into that, I'm going to
take the same old dirty brush

481
00:21:37,028 --> 00:21:38,056
and go right into the yellow.

482
00:21:38,056 --> 00:21:41,088
Now, this brush had the blue
and the green on it

483
00:21:41,088 --> 00:21:44,000
so when I go into yellow I'm
going to get a dark green.

484
00:21:44,000 --> 00:21:46,000
You don't even have to clean
the brush.

485
00:21:46,000 --> 00:21:47,056
OK? Let's go back up here.

486
00:21:48,064 --> 00:21:52,056
Let's just drop in an indication
of a few highlights.

487
00:21:52,056 --> 00:21:54,016
Just on these trees.

488
00:21:54,016 --> 00:21:57,036
And all I'm doing is touching
and pushing downward a little bit.

489
00:21:59,000 --> 00:22:01,024
You don't want to put
too much in here

490
00:22:01,024 --> 00:22:03,084
and kill all that beautiful dark
colour.

491
00:22:03,084 --> 00:22:06,052
If you kill all that, then your
trees are going to look flat.

492
00:22:06,052 --> 00:22:08,000
Just touch it.

493
00:22:08,000 --> 00:22:10,028
Go just a little.

494
00:22:10,028 --> 00:22:12,044
Evergreens are quite dark normally.

495
00:22:14,076 --> 00:22:16,060
And, if you've watched
the shows before,

496
00:22:16,060 --> 00:22:19,028
you know we don't make mistakes,

497
00:22:19,028 --> 00:22:21,032
we have happy accidents.

498
00:22:21,032 --> 00:22:24,040
You learn how to work with anything
and everything that happens.

499
00:22:26,056 --> 00:22:29,016
All right, we'll put a little bit on
this old big tree right here.

500
00:22:29,016 --> 00:22:31,000
A little here.

501
00:22:31,000 --> 00:22:32,084
There we are.

502
00:22:32,084 --> 00:22:34,060
Just some happy little things there.

503
00:22:34,060 --> 00:22:36,000
Now let's have some fun.

504
00:22:36,000 --> 00:22:40,056
I'm going to go right
into the Cad Yellow

505
00:22:40,056 --> 00:22:42,060
with a two-inch brush,
and I'm tapping.

506
00:22:42,060 --> 00:22:44,024
Can you see how that's tapping?

507
00:22:44,024 --> 00:22:46,068
Grab a little Sap Green there.
Just a little green.

508
00:22:46,068 --> 00:22:50,000
And we'll go into some Yellow Ochre
with a touch of the Indian Yellow.

509
00:22:50,000 --> 00:22:52,044
We mix all of these in the brush.

510
00:22:52,044 --> 00:22:54,044
OK? Let's go right up here.

511
00:22:54,044 --> 00:22:57,040
Now, big decision time.

512
00:22:57,040 --> 00:23:00,052
By tapping downward
right on top of that dark,

513
00:23:00,052 --> 00:23:04,060
we can begin creating a nice,
soft, grassy area.

514
00:23:04,060 --> 00:23:05,076
See, there?

515
00:23:06,092 --> 00:23:08,064
It's that easy.

516
00:23:08,064 --> 00:23:10,048
Tell you what.

517
00:23:10,048 --> 00:23:11,068
Let's have some fun.

518
00:23:11,068 --> 00:23:13,004
Maybe back in here...

519
00:23:14,020 --> 00:23:16,032
..let's put a happy
little bush or two.

520
00:23:16,032 --> 00:23:18,020
Use the one-inch brush.

521
00:23:18,020 --> 00:23:19,044
And let's just push in...

522
00:23:19,044 --> 00:23:21,020
Looky there!

523
00:23:21,020 --> 00:23:22,024
See?

524
00:23:22,024 --> 00:23:25,000
It's a happy little bush that
lives right back in here.

525
00:23:25,000 --> 00:23:27,000
Right up against these trees.

526
00:23:27,000 --> 00:23:28,048
Just like so.

527
00:23:29,076 --> 00:23:31,060
Maybe we'll put one
on the other side.

528
00:23:31,060 --> 00:23:34,000
What the heck. We don't want him
left out.

529
00:23:34,000 --> 00:23:37,032
And you can put a lot or a few,

530
00:23:37,032 --> 00:23:39,040
none, it's up to you.

531
00:23:39,040 --> 00:23:41,000
Whatever.

532
00:23:41,000 --> 00:23:43,036
Whatever.

533
00:23:43,036 --> 00:23:45,000
And back to our two-inch brush.

534
00:23:45,000 --> 00:23:48,048
And let's begin putting all this in.

535
00:23:50,020 --> 00:23:52,000
Now, all you're doing here is
tapping.

536
00:23:52,000 --> 00:23:55,032
Just gently, gently, gently,
gently tap.

537
00:23:55,032 --> 00:23:57,036
Here we go.

538
00:23:57,036 --> 00:24:00,036
See how you can create different
planes

539
00:24:00,036 --> 00:24:01,072
and the whole lay of the land?

540
00:24:01,072 --> 00:24:04,000
That easy.

541
00:24:04,000 --> 00:24:05,048
That easy.

542
00:24:07,048 --> 00:24:08,064
There.

543
00:24:08,064 --> 00:24:11,012
Just let it fall
right off your brush.

544
00:24:13,048 --> 00:24:15,020
Every once in a while,
I'm going to touch

545
00:24:15,020 --> 00:24:17,020
the least little bit
of the Bright Red,

546
00:24:17,020 --> 00:24:19,024
just to spark it up and
put a little fire in there.

547
00:24:22,056 --> 00:24:26,032
And all these different planes
help show depth and distance

548
00:24:26,032 --> 00:24:28,004
in your painting.

549
00:24:30,008 --> 00:24:31,056
OK, there we go.

550
00:24:32,076 --> 00:24:35,028
And the more you tap this,
the softer it'll become.

551
00:24:35,028 --> 00:24:37,040
It will get very, very soft.

552
00:24:37,040 --> 00:24:39,020
Let's go over here,
on the other side.

553
00:24:39,020 --> 00:24:40,092
We don't want him left out.

554
00:24:40,092 --> 00:24:42,060
See how easy?

555
00:24:42,060 --> 00:24:44,040
Just tap.

556
00:24:44,040 --> 00:24:47,020
But the lay of the land,
the angles,

557
00:24:47,020 --> 00:24:50,000
are the most important
thing here.

558
00:24:50,000 --> 00:24:51,064
Don't lose sight of that.

559
00:24:53,028 --> 00:24:54,084
Don't lose sight of that.

560
00:24:56,084 --> 00:24:58,000
OK.

561
00:24:58,000 --> 00:25:01,028
Here's a big old blob comes down
and comes around.

562
00:25:02,028 --> 00:25:03,060
Just like that.

563
00:25:05,012 --> 00:25:07,008
Say, if you want to show
a different plane,

564
00:25:07,008 --> 00:25:09,028
lighten the colour a little,
then drop it in.

565
00:25:15,052 --> 00:25:18,084
OK, just layer after layer
after layer.

566
00:25:18,084 --> 00:25:21,096
I would strongly suggest
you start in the background

567
00:25:21,096 --> 00:25:23,032
and work forward.

568
00:25:23,032 --> 00:25:25,092
That's sort of a good rule of thumb
in this style of painting.

569
00:25:25,092 --> 00:25:28,000
Always start the thing
that's farthest away

570
00:25:28,000 --> 00:25:29,056
and work forward.

571
00:25:30,076 --> 00:25:34,024
And I think you'll find it works
much easier for you that way.

572
00:25:34,024 --> 00:25:38,048
Now, then, let's take
a one-inch brush,

573
00:25:38,048 --> 00:25:40,020
whatever you have.

574
00:25:40,020 --> 00:25:43,060
I want to just pull
some of this colour down.

575
00:25:43,060 --> 00:25:44,096
Just pull it down.

576
00:25:44,096 --> 00:25:48,072
Just pull it straight down and you
can create all kinds

577
00:25:48,072 --> 00:25:50,056
of little things and just go across.

578
00:25:51,080 --> 00:25:53,016
It makes reflections.

579
00:25:53,016 --> 00:25:55,000
I'm going to make this like moving
water,

580
00:25:55,000 --> 00:25:57,012
but even in moving water
there's reflections.

581
00:25:57,012 --> 00:25:58,044
They're still there.

582
00:26:00,020 --> 00:26:03,044
Now, if you wanted to have
a little pond -

583
00:26:03,044 --> 00:26:07,008
this easy - you could create
a happy little pond

584
00:26:07,008 --> 00:26:09,048
just pulling a little
of that colour down.

585
00:26:09,048 --> 00:26:10,076
Cutting across.

586
00:26:12,000 --> 00:26:14,016
See? Wherever you want it.

587
00:26:14,016 --> 00:26:16,036
Now, then, I'm going to
dip my brush.

588
00:26:16,036 --> 00:26:18,056
I have another fan brush. I have
several of each brush

589
00:26:18,056 --> 00:26:20,040
so I don't have to clean each one.

590
00:26:20,040 --> 00:26:22,048
Dipped it right into
the Liquid White

591
00:26:22,048 --> 00:26:24,040
and now I'm going into
the Titanium White.

592
00:26:24,040 --> 00:26:26,048
I'm going to load the
brush quite full,

593
00:26:26,048 --> 00:26:29,044
reach up here and put
the least little touch

594
00:26:29,044 --> 00:26:31,008
of the Phthalo Blue in it.

595
00:26:31,008 --> 00:26:34,040
Now, then, here comes our
little stream.

596
00:26:34,040 --> 00:26:35,092
This is not a fast stream.

597
00:26:35,092 --> 00:26:38,060
Maybe, before the series is over,
we'll do a fast stream.

598
00:26:38,060 --> 00:26:42,000
This is just one that's sort of
just like me - it's lazy.

599
00:26:42,000 --> 00:26:45,024
It just wanders along here
and has a good time.

600
00:26:45,024 --> 00:26:46,048
Just like so.

601
00:26:46,048 --> 00:26:48,076
And you just sort of scrub this
brush across.

602
00:26:48,076 --> 00:26:51,024
But you want to keep these lines
basically straight,

603
00:26:51,024 --> 00:26:53,028
basically straight.

604
00:26:53,028 --> 00:26:56,012
And this is how you cut off
the bottom of your landmasses,

605
00:26:56,012 --> 00:26:57,060
bring it all together.

606
00:26:59,000 --> 00:27:00,020
Just like so.

607
00:27:01,068 --> 00:27:03,020
See how easy that is?

608
00:27:03,020 --> 00:27:04,056
And you can do it.

609
00:27:04,056 --> 00:27:05,088
You really can do it.

610
00:27:09,048 --> 00:27:10,056
Wherever.

611
00:27:12,000 --> 00:27:14,000
Come right on out through here.

612
00:27:14,000 --> 00:27:16,056
See? And allow it to pick up
some of that colour

613
00:27:16,056 --> 00:27:20,024
and it all blends together like so.

614
00:27:20,024 --> 00:27:21,064
That's all there is to it.

615
00:27:23,088 --> 00:27:25,032
Isn't that fun?

616
00:27:25,032 --> 00:27:27,020
I really hope you've enjoyed this
painting.

617
00:27:27,020 --> 00:27:29,040
The old clock on the wall is telling
me it's about time

618
00:27:29,040 --> 00:27:32,044
that we've got to bring this one
to a close for the day.

619
00:27:33,088 --> 00:27:35,020
It's been a lot of fun.

620
00:27:35,020 --> 00:27:37,000
I've certainly enjoyed
being with you.

621
00:27:37,000 --> 00:27:38,068
And I hope you've enjoyed
the painting.

622
00:27:38,068 --> 00:27:41,044
From all of us here, I'd like to
wish you happy painting.

623
00:27:41,044 --> 00:27:42,072
And God bless.